|
|
 |
Alex Lieu is the Chief Creative Officer for 42 Entertainment, responsible for all creative aspects of the player experience. Alex leads the creative design efforts for game design, media, graphics, human interfaces, websites, and advertising for 42’s client campaigns. Alex has a long track-record of leading development of large-scale interactive and cross-platform projects.
Alex was Creative Director on the award winning interactive game, Dead Man’s Tale for Disney’s Pirates of the Caribbean: Dead Man’s Chest and the re-launch of Windows Messenger. He then went on to direct the award winning game for the launch of Windows Vista, 2007's The Vanishing Point. Also in 2007, Alex served as Creative Director and Lead Designer for Year Zero, which started with the discovery of a phone number on a NIN tour t-shirt that led players through a series of websites and trans-media assets from an alternate reality future. Alex also directed the music video for Survivalism, the first single off the album, which also seamlessly wove embedded clues to engage the audience deeper into the story behind the music. Presently, Alex is the creative architect behind Why So Serious?, the innovative alternate reality game for The Dark Knight.
Alex was previously Founder and President of 3Pin Media, a rich graphics and interactive company that developed cross-media experiences for a wide variety of clients in the entertainment, education, and sports markets. Prior to founding 3Pin, Alex was Vice President of Creative
Development at Lightspan, a technology company that produces innovative
learning resources. While at Lightspan, Alex led strategic and creative
direction for all website, application, and content-related development
efforts.
Previously, as Creative Director for Mutation Labs, an
interactive
agency focused on
providing high-end content
and design solutions
for the entertainment sector, Alex
designed websites for numerous
clients, including
Nickelodeon, Disney Online,
and the CBS Radio
group. Prior to Mutation Labs, Alex held a variety
of senior creative
and managerial leadership
roles at Disney Online,
where he was
instrumental in developing the look
and feel
of
both Disney.Com
and Disney’s Daily Blast.
|
 |
|
|